Wednesday, 25 April 2018
My second charity shop purchase bought on Record Shop Day is sadly nowhere in the same league as the Iron and Wine album which I featured on Monday.
It is an Uncut compilation Born to Run 2003 Volume 2 and as the name suggests it is an album of covers of songs by Bruce Springsteen.
I've had Volume 1 since it was released and it featured a couple of times in my Springsteen Covered Series in the first few months of 2017.
I was curious to see if there were any songs on Volume 2 which came anywhere near to challenging the Boss and 50p seemed a reasonable amount to pay to satisfy my curiosity.
A resounding no is the answer. They are all pretty poor with maybe one exception. The cover of Thunder Road by Greg Kihn an artist that I had never heard of is actually not bad. Nowhere near as good as the original obviously but streets ahead of the Badly Drawn Boy version from Volume 1,
As I said the rest are poor and I was struggling for a second song to post. So here is a previously unreleased cover of Mansion on the Hill for all you Billy Bragg completists out there.
Greg Kihn - Thunder Road
Billy Bragg & the Blokes -Mansion on the Hill
Tuesday, 24 April 2018
My recording system for The Blues Collection has once again reaped dividends.
I got a text from Mrs CC who was out with her mum quoting some numbers and asking me if I had them.
A couple of texts and a phone call letter I was able to confirm that I didn't have 3 of the 5 or 6 that she had stumbled upon and they were duly purchased.
One (number 13) was Beer Drinkin' Woman by Memphis Slim.
Not the name that the pianist was born with , that would have been John Len Chatman although his compositions are listed as Peter Chatman which was his father's name.
Born in Memphis in 1915 his career spanned around half a century before dying in Paris in 1988 aged 72.
The first song Late Afternoon Blues was recorded in new York in January 1961 with the album's title track being recorded in London in 1960.
As you will hear he enjoyed spinning a story with a piano accompaniment..
I'm sure his name features in a Bob Dylan lyric but I could well be wrong there.
Memphis Slim - Late Afternoon Blues
Memphis Slim - Beer Drinkin' Woman
Monday, 23 April 2018
I never made it as far as a Record Shop (as opposed to Record Store) yesterday.
I didn't fancy getting up at the crack of dawn on a day off work. Also there weren't really any releases that I was particularly desperate to acquire although I wouldn't have minded the special edition version of Future Echoes by The Pictish Trail.
Also I had to go to the barbers and the grass needed cut.
I did however make some purchases as I popped into a charity shop on my way back from the barbers and came away with 3 CDs for a total outlay of £1.50.
Here is the first one The Shepherd's Dog the third studio album from 2007 by Iron and Wine. I was quite chuffed to see this (with a £16 sticker on the front cover) as the only other thing I have from Sam Beam and his band is a burn of the previous album Our Endless Numbered Days with the Sea & Rhythm EP thrown in for good measure.
I'm impressed on first listen and fully expect it to become a grower.
The other two to follow in due course.
Iron and Wine - Resurrection Fern
Iron and Wine - Flightless Bird, American Mouth
Sunday, 22 April 2018
I'm off to the Hug and Pint tonight for the album launch of Transience by Zoë Bestel.
Released by Last Night From Glasgow it is a thing of beauty both aesthetically and musically.
Some lovely low- fi trippy and ethereal folk which puts me in mind of Rozi Plain and This is the Kit so obviously right up the Swede's street.
From Whauphill in one of my favourite parts of the world Galloway, it is her 3rd album which is quite remarkable given that she is only 20. She has been recording since she was 14. More details and a free download here
It should be a good night.She will be supported by Jared Cerose who has been recently signed by Olive Grove records and who has a debut EP Four Cold Walls available on Bandcamp
The brilliant Annie Booth will also be providing support so little wonder it sold out weeks ago.
It should be a belter.
Saturday, 21 April 2018
Until I come up with an original idea here is the return of Saturday Lucky Dip.
A series where a random compilation is selected and a couple of tracks featured.
Where possible I will aim to feature artists who haven't graced these pages below,
The Mojo October 2005 compilation Made in Britain has featured before when Steel Pulse and The Redskins were selected.
This time round we go down a division and start with Deptford mod revivalists The Chords with their second single from 1980 Maybe Tomorrow which reached number 40 in the UK singles charts. They were active from 1978 -1981 which the obligatory reformation in 2010
They are joined by Nottingham post punks Medium Medium with their 1981 single Hungry, So Angry released on the Cherry Red label.Similar timescales 1978-1983 and then from 2004 onwards.
I don't recall either of these from first time round.
More random nonsense next Saturday unless anything more original springs to mind.
The Chords - Maybe Tomorrow
Medium Medium - Hungry, So Angry
Friday, 20 April 2018
However. these are only two of the many great songs that they recorded in their short three album career (#1 Record, Radio City and Third/Sister Lover) in the early 70's with a 4th In Space coming along in 2005
Like the Velvet Underground in the 60's they didn't really enjoy much success at the time but have since assumed legendary status and have influenced countless bands who have come after them.
A couple of examples. You only have to listen to The Ballad of El Goodo for the likes of the Jayhawks and a number of other American bands to spring to mind.
Teenage Fanclub freely acknowledge their influence with their album Thirteen named after the Big Star single. Alex Chilton also collaborated with them in his later years.Again you can see the influence when you play What's Going Ahn.
No life is complete without a bit of Big Star in it.
Big Star - The Ballad of El Goodo
Big Star - What's Going Ahn
Thursday, 19 April 2018
On Monday Friend of Rachel Worth correctly identified that the post title The Horses Are on The Track was taken from The Bottom Line by Big Audio Dynamite.
It wasn't a competition but there is a prize.
A chance to listen to a 7 minute plus version from the US Remix 12 inch single re-mixed by Rick Rubin no less in the years before he resurrected Johnny Cash's career.
At the time the band led by former Clash man Mick Jones did not need their career resurrected as both tracks (BAD being the b-side) were taken from their 1985 debut album This is Big Audio Dynamite which reached number 27 in the UK album charts.
Big Audio Dynamite - The Bottom Line
Big Audio Dynamite -BAD